Monday, 29 July 2013

The Art of Storytelling


by Victoria Galvin

I’ve always loved a good story. But then, that’s hardly unusual. Everybody does; from the story your best friend is telling you about their latest disastrous dating experience, to the best-selling story that famous author wrote, which that famous director brought to film, with an inspired soundtrack written by that famous singer/songwriter. Society is built on the way we interact with one another – and one of the most basic ways of doing that is through the telling of stories.

But where did it all start? 
My enduring fascination with this question was a big part of my decision to study Classical Studies at university, because it took me right back to the beginning of things – to the origins of Western culture. What’s stuck with me the most is the aetiology of literature. The basic genres and storylines we all know and love today were already being created by a civilisation that goes so far back into the mists of time, it hadn’t even discovered writing yet.

At this point I realise I’m starting to sound a bit like the beardy guy from Jurassic Park, but a little context never hurt anybody. Incidentally, if Romeo had been given a little more context concerning Juliet’s “death”, then their love story probably wouldn’t have ended up a tragedy. Then again, Shakespeare might never have found the inspiration for Romeo and Juliet if it hadn’t been for the influence of Greek tragedy (and comedy) from the 5th Century BC.

Anyway, back to the slightly more recent past. After graduating last year, I went on to study a Masters in Radio. I’d had a great time being involved in student radio during my undergrad degree, and, harbouring an irrational fear of “The Real World” (reinforced by the comparatively sheltered university lifestyle), I decided I’d like the chance to focus my career path a little more before surrendering myself to the cold dark of Unemployment (that one’s inspired by Gandalf).

And I’m so glad I did. Radio is, of course, at one of its most basic levels, just another medium for storytelling; and that is exactly why I love it. It’s the sheer pervasiveness of storytelling – through societies, through generations, through time – that I find amazing. And it’s something to which I have attempted to do justice in my own radio work.

For our final creative radio production this year, we were given the task of making a fifteen minute feature on absolutely anything we wanted. We were of course strongly advised to keep a few ideas floating about in our minds, just in case plan A didn’t work out – we might not have been able to get all the interviews we wanted, or it might turn out that the idea just wouldn’t translate well for a radio piece. That’s exactly what had happened to me for one of my previous creative pieces (a word of advice – just because somebody has fantastic facial hair does not mean they have a story to tell). But this time I had no plan B, because this time I was going to do a feature on storytelling – and what could possibly go wrong with that?

The truth is, a lot could have gone wrong. Luck plays a big part and, well, luckily I was lucky. What I wanted to do was convey the beauty of storytelling in all its different forms. I interviewed four very talented storytellers, all of whom tell their stories in very different ways. The feature is by no means an all-encompassing expression of every single type of storytelling there is; I’d need closer to fifteen hours rather than fifteen minutes for that – but it’s a start. Storytelling is all about inspiration, influence, imagination. I myself was inspired by these four artists to make this feature – my own sort of story, about storytelling.

I hope that, in some way, it inspires you too.

Wednesday, 29 May 2013

July theme: The Seven Deadly Sins


Our next theme is the seven deadly sins. The deadline date is 7 July, 2013.

How many of us can actually remember all seven?

Lust
Gluttony
Greed
Sloth
Wrath
Envy
Pride


If you're in need of inspiration for submissions, try out some of the following ideas:

Lust
  • A photograph of high heeled stilettos.
  • A story revolving around Objectum Sexuality (sexual attraction to an object); a man falls in lust with his old sewing machine; a woman secretly visits a trolley park after dark.
  • A poem describing the sound of lovers' fingertips through the taste of fruit.
For some visual stimuli... head on over to Jack Vettriano's website - one of our favourite artists, and without a doubt, a keen explorer of this theme! Here's a little (non-explicit) taster...
Jack Vettriano - An Imperfect Past


Gluttony
  • A photograph of plates and plates of rotting fruit and vegetables.
  • A poem describing the juices running down the chin of a man/woman who the narrator is disgusted/turned on/obsessed with.
©July 2011 'Gluttony' by Fabienne Lopez

Greed
  • A conversation between ten pound notes as they are passed from hand to hand.
  • A poem describing money only through their smell and sound.
'Greed' by Liol

Sloth
  • A story about a man whose laziness and inactivity leads to his rotting with the house he lives in, as mould, rubbish and the stench of stagnancy builds up around him.
Found on hannahruthkellett.wordpress.com

Wrath
  • An illustration/painting/photograph of an explosion of colours symbolic of rage.
'Wrath' by Ricciolo Ribello
Have a look at Ricciolo Ribello's conceptual photography project, 'The Seven Fetish Sins'. 

Envy
  • Something green - slime, ivy, mould, a green dress on a woman.
  • Why do women tend to be associated with envy or lust? Are women more prone to feelings of jealousy than men? If so, why? Have a go at writing an article discussing this.
Photo found here - ickle_munchkin's flickr photostream

Pride
  • A story about a man or woman whose vanity leads to their demise; the mirror they stare in daily begins to crack, and as it does, so does their skin, oozing with thick black tar.
Have a look at Matthew Johnston's quirky interpretation of pride here.

Picture found here


REMEMBER:

Don't TELL us what pride, envy and feeling anger feels like, SHOW us instead. What colour is sloth? Is greed the jingle of a heavy pocket or the healthy shine on a diamond?

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Send all submissions to synaesthesiamagazine@gmail.com


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Tuesday, 21 May 2013

Submission Guidelines


Deadline & Theme


The deadline is now CLOSED. Check back here soon for a new theme and deadline date!

What to submit


All work must be your own creation


  • Short stories and flash fiction
  • Poetry
  • Songs/lyrics
  • Book/short story/poetry reviews
  • Writing tips
  • Writing exercises
  • Creative articles on the subject of synaesthesia
  • Photography
  • Illustrations
  • Cartoons
  • Sketches
  • Paintings
  • Digital design.
  • We like interviews. If you have experience with synaesthesia or know someone who has - send them our way! If you think you'd be an interesting candidate to interview, tell us why.
  • We can accept already published work, as long as you have permission from the publisher/author/copyright owners, and we have proof. 
  • Nothing is off-limits. No, really. As long as it's your own work, there is no restriction on genre, style, format... so long as it's in English.
  • Anyone can submit, so long as the work is your own creation.
  • Use synaesthesia. Confuse your senses. It can only go in your favour if your submission is either synaesthesia-related, or evokes a sense of synaesthesia. Have a read of our What is synaesthesia? page, if you're unsure what that entails.

Submission requirements

  • All submissions must correspond to the current theme. No matter how great your submission is, if it has nothing to do with our theme, we just cannot accept it. If we're impressed, we may keep it for a future issue - if the theme corresponds. But you may have to send in your submission again, because not all of us are elephants.
  • We can accept up to four (4) submissions per person; 1500/2000 words for short stories, 1000 words maximum for articles, reviews, writers' tips etc, and go wild with poetry (not Paradise Lost wild..).
  • All submissions must be sent to: synaesthesiamagazine@gmail.com. No regular post, because we have no address.
  • All submissions must include a 3-4 line author bio in third person. Nothing too verbose, either. Author photographs are also welcome, but not essential. Please note that biographies may be edited for design purposes, but will always convey biographical information accurately.
  • Any photography/artwork must be of good digital quality with file size no less than 1MB.
  • Please send all submissions on or before the current deadline. We cannot accept submissions received after the deadline.
  • Copyright remains property of the author.
  • Please let us know in your submission email if you are unhappy for your submission to be accompanied with poetry/photography/words/illustrations in the magazine.


What we can offer you


We appreciate that no-one is making any money out of this (but who's to say we're not getting you one step closer to publishing your future best-selling poetry collection?) and, as writers and photographers ourselves, we know what's like to receive impersonal, detached, demoralising feedback. Or no feedback at all.

Here's how we work: after we've reviewed all our submissions, we'll compile a shortlist. Once we've compiled a shortlist, we'll go into editing mode. We'll give you as much feedback as we can (under time constraints); we might suggest edits, ways you could improve, or we may just praise you unconditionally. No artist improves without a second pair of eyes, and luckily for you, we're your second pair of eyes.

Our blog


Our blog (the one you're reading!) is still in refurbishment. We would to make our blog a place to come to in between issues; a place to pick up helpful tips on writing, photography and artwork, for inspiration and articles and information about synaesthesia. If you would like to be a guest contributor, please don't hesitate to get in touch with us!

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If you have any questions, or you'd like to send a submission, please contact synaesthesiamagazine@gmail.com

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